I am in my sweatpants. I had the most delicious dinner of Bilinski’s spinach and garlic chicken sausage sautéed with saurkraut, eaten with freshly baked ciabatta (which I brought home and put in my over to pretend that I had freshly baked it) and tea. Of course tea. This is the land of perpetual tea. (Incidentally I suddenly realize that I like the name Perpetua and wonder if I could get away with using it on a child, maybe as a middle name? anyone want to make me a godmother??) Now I am going to finish the book I have been reading for two months. It’s amazing it’s taken so long, but there’s been Buffy and grading and this book just goes on and ON, so much first person narrator talking and trying to figure stuff out and I thought I was getting really irritated at that, but then I realized I really like the processing-on-paper feel and one of the things the main character is trying to do is learn to talk to dragons. Here’s a piece of the processing that I really like because it expresses the absolute craziness of language and communication and trying to learn anything (language or not):
“You don’t have the smiling, nodding, pointing to your chest and saying your name option with dragons. Nor can you point to another object and say “rock” and wait to see what they say. They won’t say anything. If you’ve been pointing at a rock and saying “rock” for the last six months, however, if you’ve been working at it really hard, you may have begun to wonder why after you say “rock” you very often get a kind of heavy sensation in the palms of your hands and the soles of your feet* (and furthermore it seems a bit diagonal. Right hand, left foot. Left hand, right foot.) Although the first elation (supposing you manage to be elated through the confusion**) drains away real fast as you start to wonder if they’re talking about a kind of rock, a size of rock, a shape of rock, a color of rock, weight of rock, age of rock, even a hardness of rock, or a kind/size/shape/color/weight/age/hardness of anything, or maybe it’s about something else entirely (Where it came from? How it was created? Or if it’s a big rock, which way its shadow falls as the sun rises up over it and goes down the other side, and no I am not joking) and maybe it’s not “rock” at all, but “thing pointed at” or “humans sure are into rocks, I wonder what that’s about?”“
—from Dragonhaven, by Robin McKinley
*Dragons don’t communicate with talking, see.
**I especially identify with this idea.
I feel like so much of my life, lately, is about things being too big for them to fit into my head. And that’s essentially what this book is going on and on about, and why it’s going on and on, because it’s trying to explain something too big (even if it’s sort of an imaginary something, as much as anything is ever imaginary). And I can relate! I have pages of myself going on and on in my poor neglected notebooks that I stopped writing in when my head stopped wanting to process any of the bigness. And I’ve just been realizing lately that it’s not just linguistics. It’s everything. Somehow getting into the big sea of knowledge that is grad school made me realize that this sea of knowledge isn’t just here, it’s everywhere and you can’t get away from it. So you either wear yourself out processing all the time or you shut yourself away. I’m not sure if there’s another option. And I’m really not sure which of those I’m doing now, but I do feel pretty worn out all the time, so hopefully I’m processing something.








A Trek Allant WSD (women’s specific design)















